For Beatles fans, 1970 was a particularly heavy year — one in which we watched one of our most beloved bands fall apart, and witnessed the rebirth of each Beatle as a solo artist. The chronology itself is crazy. A slew of Beatles-related albums were released in the space of that single year, starting with Ringo Starr’s solo debut, Sentimental Journey, in March. Then came Paul McCartney’s self-titled debut LP in April, along with a press release making it more or less clear that the Beatles were finished.
Ringo was quickly back in the fray with a country record, Beaucoups of Blues, released in September and drawing on the talents of some of Nashville’s greatest guitarists and other session players. More guitar grandeur came in November when George Harrison’s epic triple album, All Things Must Pass, came out; and the year closed with John Lennon’s stunning solo debut album, John Lennon/Plastic Ono Band, a stark swansong to the Sixties that also charted a bold course forward into Lennon’s solo career. For more about these albums — and several others — check out “Man We Was Busy” on page 59.
As the Beatles faced the challenges and excitement of new solo careers, Harrison, Lennon and McCartney would each build on the groundbreaking guitar legacy they had forged together over the course of the Beatles’ career. So many of their most revolutionary rock guitar innovations were collectively wrought. “I Feel Fine” from 1964 became the first rock record to feature the creative deployment of guitar feedback, when the A string on McCartney’s legendary 1963 Hofner 500/1 violin bass triggered a transductive loop between Lennon’s Gibson J-150 E electro-acoustic guitar and his Vox amp.
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Denne historien er fra April 2020-utgaven av Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
