THE ROAD DOG is one of rock and roll’s most hallowed traditions. The lifer, the musician who lives to be away from home, the one who’s more comfortable in a bus bunk than any high-thread-count sheets. When you look up that term in the dictionary, there may as well be a picture of Malina Moye.
Over the past 11 years, Moye has put out three albums filled with soulful, funky, R&Binflected albums, hallmarked by her powerful voice and even more powerful Hendrix- and Prince-inspired riffing. But her experience on tour predates any promotional jaunts for those albums; she literally grew up touring.
“I grew up in a family band, so my mom, my dad and my brothers, we always toured. It was like if someone was to go to school. You learn how it works and it becomes a natural part of your life,” she says.
Over that time, she’s picked up a few strategies for survival, from the big picture to the nitpickiest of details. For instance: Keep the body healthy and the mind and fingers will follow.
“I don’t smoke, I don’t drink, I don’t do drugs. I’m a very healthy person,” she says. “No matter what part of the world I’m in, every day I like to be gone for 30 minutes, just exploring whatever country I’m in. Your mindset is the most important thing, starting from the plane ride to get to the bus.”
Speaking of plane rides, you can’t just hop on one and hope for the best — not when there’s thousands of dollars of gear upon which your livelihood rests at stake. As someone who jets around the world, Moye has learned the importance of comfort — dressing comfy while you try to catch some mile-high shut-eye and having the security of mind that your axe will make it in one piece.
Denne historien er fra February 2021-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra February 2021-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston