WHEN GUITAR WORLD CATCHES UP WITH Slash one morning in late October 2021, it's just a few weeks after the guitarist has wrapped a successful two-month stint of U.S. stadiums and arenas with Guns N' Roses. And yet, here we are, discussing the imminent release of a new Slash featuring Myles Kennedy and the Conspirators album, as well as a just-announced tour with the band.
For some artists, this quick turnaround might engender a bit of musical whiplash. For Slash, it's just standard operating procedure. “I think I've gotten pretty used to sort of living in both worlds at the same time," he says, then laughs. “You have to, in order to be able to do it."
It also doesn't hurt that Slash genuinely loves to play guitar, in particular in a live situation. "When the feel is right and the energy is right and everything's firing on all cylinders, it's the fucking best," he acknowledges. Which is perhaps why, when it came time to record the new and fourth SMKC album - titled, aptly, 4 – he wanted to create as much of a live experience as possible.
Which meant changing things up from how Slash has made any previous Conspirators record (and, to go one further, how most bands make most records in general). “I've wanted to do records like this ever since we first started," he says. "Ever since Guns N' Roses first started. It's just, I could never get a producer to actually do it."
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
