I’M ALWAYS SAYING THE MOST RIDICULOUS THINGS OUT LOUD, BECAUSE THAT’S THE ONLY WAY THEY’LL EVER HAPPEN,” EXPLAINS ANDREW WATT, THE 29-YEAR-OLD SONGWRITER, GUITARIST AND PRODUCER WHO HAS CHARTED HIT SINGLES FOR THE LIKES OF JUSTIN BIEBER, SHAWN MENDES, CAMILA CABELLO AND OTHER MODERN POP STARS, AND IS NOW, AMAZINGLY, THE NEWEST AXE MAN FOR OZZY OSBOURNE, TAKING HIS PLACE IN A RAREFIED SPACE ALONGSIDE ICONIC SHREDDERS LIKE RANDY RHOADS, JAKE E. LEE AND ZAKK WYLDE.
As for the “ridiculous thing” he said out loud that got him here? That involves another pop icon and frequent Watt collaborator, Post Malone — who, as the story goes, was at legendary Sunset Strip hangout the Rainbow one night when, motivated by his longtime love for the Prince of Darkness, he purchased an Ozzy photograph straight off the establishment’s wall.
Recalls Watt, “When I heard that, I got this vision in my head of Post: he’s got his face tattoos, he’s got a cigarette in one hand and a beer in the other, and he’s walking down Sunset holding this photo. And I said, ‘How cool would it be to make a song with Post Malone and Ozzy Osbourne?’ ”
Not long after, Watt ran into Ozzy’s daughter, Kelly, at a party, and said as much to her. Kelly, in turn, took the pitch home to dad.
“She asked me, ‘Would you be interested in doing a song with Post Malone?’ ” recalls Ozzy, seated beside Watt on a couch at his L.A. home.
His response to his daughter?
“I said, ‘Who the fuck’s Post Malone?’
Denne historien er fra May 2020-utgaven av Guitar World.
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Denne historien er fra May 2020-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
