At 8.15Pm On Sunday 17 August 1969, Ten Years After Took To The Stage At Woodstock To Perform A Set That Would Change The Band’S Fortunes Forever And Propel Alvin Lee On To Guitar Superstardom. This Is The Story Of That Night And Of ‘Big Red’, The Iconic Es-335 That Alvin Bought In A Nottingham Music Shop For A Mere £45 (With Case)…
For most of us, Woodstock was purely a cinematic experience with the release of Michael Wadleigh’s film of the event that hit theatres the year after the festival. It was already the stuff of legend as music fans worldwide feasted upon highlights from the amazing line-up that included The Who, Santana, Crosby, Stills & Nash, Joe Cocker and a host of others. The guitarists in the audience waited eagerly for a glimpse of the festival’s headline act, Jimi Hendrix, and his explosive rendition of The Star-Spangled Banner, but many were stopped in their tracks earlier on in the movie by Ten Years After’s I’m Going Home.
Despite some chart success in the UK, TYA were not as well known on this side of the Atlantic as they were in the USA, but when Alvin Lee ripped into his 335 with a flurry of lightning-fast blues licks, many were left shellshocked and spellbound. Who was this guy? At the time, Alvin was one of the fastest players on Earth, earning him the nickname ‘Captain Speedfingers’, an epithet he refused to take too seriously.
“Basically, it just came from the excitement of playing live – the adrenaline,” he told us in an interview back in 1987. “I used to hear tapes of the band from the mixing desk after a show and sometimes I couldn’t believe it was me playing. I really didn’t know I could play like that. Ten Years After was all about excitement and energy. I basically played guitar from the hip – an instinct or reaction, if you like – because I’m not one for practising, I’m a jammer. My attitude was to go for it and, on a good night, I could get it.
Denne historien er fra September 2019-utgaven av Guitarist.
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Denne historien er fra September 2019-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
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Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
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Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
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Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
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STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more