Cory was first exposed to music by his father who would constantly play records around the house. Although not a musician himself, his father was what his son described as “a total music freak… a music head”. So Cory’s formative years were played out against a soundtrack provided by players such as Hendrix, Joe Pass, Pat Metheny, and Ralph Towner. “My dad had all this ECM catalogue and CTI jazz catalogue, the Blue Note catalogue and then he had all this classic rock catalogue,” he tells us, having travelled over to Guitarist’s HQ on a rain-soaked day following his sold-out gig in Bristol.
A great deal of the music he had heard courtesy of his dad was guitar-driven and the young Cory was “interested in the sound, interested in what it did to me emotionally, how music made me feel”. He became curious about rhythm playing and, through the intense metronome-based practice routine that he outlines for us in the video that accompanies this feature and the tutorial that follows, he gained the ability to lock in with a rhythm section with scary precision.
As well as playing with Vulfpeck and The Fearless Flyers, Cory has produced a series of solo albums, the latest of which is Live in Amsterdam. A much-in-demand musician, with a relentless touring schedule, Cory might also have been spotted by the eagle-eyed in the house band on Stephen Colbert’s late-night US TV chat show.
During our pre-interview chat Cory revealed that guitar wasn’t his first choice as an instrumentalist: “I actually started on bass. Bass was my first instrument…”
So, what exactly was it that persuaded you to switch from four strings to six?
Denne historien er fra June 2020-utgaven av Guitarist.
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Denne historien er fra June 2020-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more