Gretsch spared no expense with the launch of their flagship guitar…
Most guitar builders have their pièce de résistance – a flagship model that represents the pinnacle of their craftsmanship; Gibson took Lloyd Loar’s ground-breaking L-5 to the ultimate level with the Super 400 (originally labelled the L-5 Super), whilst Paul Reed Smith literally made his dreams become reality with the fantastically ornate Dragon guitars.
The jewel in Gretsch’s crown came in the form of a guitar called the White Falcon. Originally intended as a one-off display centrepiece for the 1954 NAMM trade show, it ended up turning so many heads that by the following year Gretsch had put it into regular production, designated as the model 6136.
Denne historien er fra March 2018-utgaven av Guitarist.
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Denne historien er fra March 2018-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more
