Whitesnake/uFO legend Bernie Marsden pays credit to the path of players who led him to greatness.
I’ve been fortunate to have a long career, but I can’t begin to imagine how many guitarists I have heard in the years I have been treading the boards. As a budding teenager I saw in my young eyes wonderful players every Friday and Saturday night, sometimes on Sundays at lunchtime pub gigs, but seeing people actually playing their Fender or Gibson was a joy on its own. I thought all of them were the greatest guitarists I had ever heard, and the truth is that some of them were. I played shows as a teenager with Mick Green, Mick Abrahams, Miller Anderson and I was in awe of them all. Turning professional really opened my eyes. I went from being the local hotshot in front of a couple of hundred people in a packed pub, to a real-life pro with UFO in front of 1,500 people at a festival in Germany. I soon realised that I had a way to go, I can tell you.
A guitar player asked a question at one of my clinics recently. It’s a question I am asked on a regular basis, and one I know a lot of people are curious about. He asked whom I thought was ‘the greatest ever guitarist’. I took a while to answer, and I think this frustrated me more than him. I have a problem with the question though, and that is that I believe there is no such thing as ‘the greatest’ or ‘the best’, but just players who make a sound that moves you and delights your ears.
Denne historien er fra July 2017-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra July 2017-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more