Ida Mae are currently on home turf having relocated from the US back to Blighty. But slide guitar phenomenon Chris Turpin and multi-instrumentalist Stephanie Jean stand poised to hit the road again. The duo had chalked up thousands of miles on tour supporting the likes of Willie Nelson & Alison Krauss, Greta Van Fleet and Marcus King, but the pandemic suddenly forced them to isolate at their Nashville home-from-home where they immediately set about writing and recording Ida Mae’s new album, Click Click Domino.
“Everything except the acoustic drums, bass and strings was recorded at our place in Nashville,” Chris tells us. “Ethan Johns tracked the drums in his studio, and our bass player, Nick Pini, also tracked his parts separately. It’s a proper lockdown record!”
Ida Mae’s connection with famed producer/musician Ethan Johns (whose studio credits include Paul McCartney, Kings Of Leon and Laura Marling) began with their first record, 2019’s critically acclaimed Chasing Lights. As news of the duo’s spellbinding live shows and Chris’s superlative British folk cum Delta blues-inspired guitar playing quickly spread, the pair were invited to Ethan’s studio to discuss their new project. Finding plenty of common ground in their creative approach to making music, they hit it off immediately. Steph, a talented multi-instrumentalist, has also sporadically played keys in Ethan’s band Black Eyed Dogs, and by way of Ethan’s long-established studio relationship with Tom Jones was recently spotted duetting on piano with the Welsh singing legend for a string of prime-time TV shows on both sides of the Atlantic.
Denne historien er fra August 2021-utgaven av Guitarist.
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Denne historien er fra August 2021-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more