Do you know your 305 from your 408? We break down the code of PRS’s number-based model names
The PRS mantra has always been ‘more sounds’ and over 30 years we’ve seen numerous pickup/control set-ups that offer both humbucking and single coil sounds achieved in very different ways, with the 24-08, based on the multi-tap switching of the current 408, the latest. “We work on this everyday,” laughs Paul Reed Smith. “It’s a non-stop quest. Every time we learn we try to adjust it to the guitars. We learn, we apply. If I was the guy that got it exactly the way it was going to be for 50 years on day one… but that’s not us. We’re the baby-step company.”
The original PRS recipe from 1985 featured two humbuckers, a five-way rotary pickup selector switch and a sweet switch (a preset tone roll-off). That five-way switch divided opinion and PRS took until 1989 to settle on: treble humbucker, both outer screw coils in parallel, both inner coils in series, both inner coils in parallel and, finally, neck humbucker. The sweet switch (still an unlisted option) began to be phased out in favour of a standard tone control on the ’87 Special then the Studio, Classic Electric and original Limited Edition before becoming standard by late 1991.
When the McCarty Model appeared in 1994 it swapped the five-way rotary for a three-way toggle pickup selector. A little later a pull-push switch on the tone control was added that applied a coil-split to both pickups simultaneously. This ‘McCarty electronics’ set-up has been used on numerous subsequent models.
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Denne historien er fra December 2017-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more