As the songwriter, vocalist and guitarist of hard-rocking indie pioneers Dinosaur Jr, and with two Fender signature models to his name, J Mascis is perhaps better known for wielding a heavily fuzz-laden Jazzmaster in front of a wall of Marshalls cranked to ear-splitting volume than strumming a rare 1950s Gibson flat-top. Yet despite J’s punk-rock roots, he has long been renowned for his dynamic live solo acoustic performances, as captured by his 1993 debut acoustic recording Live At CBGB’s (released in 2006) and 1996’s live solo album, Martin + Me. Following the release of last year’s mesmerizing acoustic LP Elastic Days, we caught up with J in the midst of a UK tour to find him playing an equally fascinating choice of guitars.
It’s unusual to see a Gibson CF-100/E being gigged. How did you discover them?
“Gibson made them in the 50s. It’s the same neck as a Goldtop – that’s why I got into them. When Gibson did their [centennial] anniversary series, they had a different acoustic every month for a year and I got a [1994 Gibson 1950 CF-100E]. That was the first one I got. Now I have five altogether, with that newer one. Two are CF-100s and the others are CF-100Es. But one of the [CF-100Es] doesn’t have the pickup or knobs. It was trashed. The previous owner took the electrics out. He decided it sounded better without them because it didn’t buzz as much. Most of the [Gibson CF-100/E] guitars are in Japan and they’re expensive over there. [Tamio Okuda] plays one. He’s got a signature model with Gibson.”
How do these old 50s flat-tops manage to survive on tour?
“They’re a little fragile. I went to Australia from winter to summer and the neck went a bit weird on one of them. The frets were popping out. I had to get it set up again.”
Denne historien er fra December 2019-utgaven av Guitarist.
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Denne historien er fra December 2019-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more