BluGuitar reboots its award-winning portable head with an extended range of sounds and a studio-worthy new reverb.
While the big head is still alive and kicking, there’s been a renewed trend toward small units in recent years, fuelled by a number of different developments. Guitar-friendly Class D power amps, next-generation digital modelling, and the modern quiet stage (which banishes backline and replaces it with in-ear monitoring) have all moved the goalposts for modern guitar amplification in the professional environment. Some exciting and innovative products have arrived on the scene as a result, but only a few have really taken up the challenge and hit the bullseye. One of the earliest was the BluGuitar Amp1, which we looked at back in late 2014.
BluGuitar is the brainchild of Thomas Blug, whose dual career as a top performer and designer/collaborator with Hughes & Kettner gives him a unique approach to product design. While the majority of the competition employs digital modelling technology, the Amp1 is mostly analogue, with a solid-state preamp driving a subminiature twin triode valve that powers a beefy 100-watt class D output stage, and a smooth digital reverb in the sidechain. It’s proved to be a singular success. Now, after four years, Blug has rebooted the Amp1 with a revoiced version called the Mercury Edition. Does it still excite as much as the original? Let’s take a closer look…
Externally, the new Amp1 doesn’t appear to be any different, apart from the words ‘Mercury Edition’ under the fan grille indicating this is the updated version. It’s compact and very light, with a footprint about the same as a standard iPad. The electronics live inside a robust stamped aluminium sub-chassis, with a thick aluminium faceplate that curves over at the top and bottom edges. The controls are logically laid out, with a voice/channel selector switch on the left and a big master volume knob on the right, either side of the Amp1’s so-called Nanotube, a subminiature Russian twin triode.
Denne historien er fra March 2019-utgaven av Guitarist.
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Denne historien er fra March 2019-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
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STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more