Some 90 years ago, guitarist George Beauchamp (pronounced ‘BEE-chum’) invented the world’s first commercially viable electric guitar, which – along with its ‘horseshoe’ pickup – sparked a revolution in guitar design and sounds. With his fellow National String Instrument Corporation associates Paul Barth and Adolph Rickenbacher, George promptly formed the Ro-Pat-In company in order to take his new invention to market with a focus on electric Spanish guitars and lap steels. It was soon to become known as the Electro String Instrument Corporation, and the firm eventually settled on the more familiar Rickenbacker name (an anglicised version of Adolph Rickenbacher’s Swiss surname). Since then, Rickenbacker has remained one of the most important brands in pop culture and, to this day, continues to build some of the world’s finest electric guitars at its California base.
“A lot of people think Rickenbacker started out with lap steels only, but they actually brought both electric Spanish and lap steels out at the same time,” begins Martin Kelly. “I think there’s a bit of a misunderstanding that the lap steel was where they began. In truth, they knew that the application for electric Spanish guitars was there from the outset.”
With his definitive new book chronicling Rickenbacker’s 90 years of innovation set for release later this year, Martin’s painstaking research has taken him across the globe in search of answers. Today, however, we are the ones in need of answers as we stand agog at the incredible collection of vintage Rickys that Martin and his brother, photographer and filmmaker Paul Kelly, have kindly brought along to the Guitarist studios to share with us all.
Denne historien er fra July 2021-utgaven av Guitarist.
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Denne historien er fra July 2021-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more