PinkPantheress lets out a quiet groan as we approach the pier. We seem to have noticed in unison that we are the only Black people around, maybe for miles; we’re also the youngest people in the queue we join, by at least 35 years. It’s 4pm on a Wednesday, and we’re in Kew Gardens in southwest London, preparing to board a riverboat cruise down the Thames. “I love doing an activity,” she says, in a tone so deadpan it almost sounds sarcastic. “I actually wanted to go see Magic Mike [Live] today, but I didn’t end up getting tickets.”
The perpetually viral singer-songwriter-producer is just in from LA, where she lives part of the time, and is already kind of wishing she was back there. “London’s not that exciting to me anymore,” she says with an apologetic grimace.
Raised in the suburbs of Kent, PinkPantheress, 22, was drawn to London from an early age, and moved there as soon as she could, for university. When she was propelled to notoriety a few years back, she was still studying film — one of many young people robbed of the full student experience by the pandemic. But it was that forced confinement that gave her extra time to experiment with music. She recorded at home, mostly on GarageBand, challenging herself to consistently put snippets of songs out into the world. (PinkPantheress was her TikTok username.) “Day 2 of posting my song until someone notices it,” she wrote in the text accompanying an early TikTok. And then, at first gradually and then seemingly all at once, without uttering her birth name or initially showing her entire face, suddenly, millions of people did notice.
Denne historien er fra December/January 2024-utgaven av Rolling Stone UK.
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Denne historien er fra December/January 2024-utgaven av Rolling Stone UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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BACK TO THE GRIND
The Clipse broke up when a spiritual path called to one of the brothers from Virginia. Now, one of the greatest duos in rap returns
THE SCREAM QUEEN NEXT DOOR
In just a few short years, Hunter Schafer has gone from small-town North Carolina to global runways, Euphoria stardom, and her first lead role, in the horror flick Cuckoo
Together in Electronic Dreams
Raphaella Lima of video game publisher Electronic Arts brings music to her childhood love of gaming to spotlight many of the most exciting emerging acts of the past two decades in the hit football game EA SPORTS FC
JAMIE XX WAVE AFTER WAVE
Nine years after his decade-defining debut album In Colour, Jamie xx returns with In Waves, a darker and broodier follow-up that saw him fall back in love with making music
"You can feel trapped when people perceive you as one thing"
On their career-best fourth album, Fontaines D.C. have shed their skin of old to deliver something more fantastical. Grian Chatten tells us the story behind their evolution
IN COMPLETE CONFIDENCE
Confidence Man's Janet Planet and Sugar Bones go bigger and wilder than ever before on 3AM (LA LA LA), an album made about partying, while partying, and perfect for partying to
Collective consciousness
Ezra Collective return with Dance, No One's Watching, the roaring follow-up album to last year's boundary-moving Mercury Prize win
DAYDREAM BELIEVER
Welsh techno-pop artist Kelly Lee Owens is the first signing to Dirty Hit's new dance label, dh2. She talks \"transcending my bullshit\" on the euphoric, thumping club tunes of fourth album, Dreamstate
A BUNCH OF (PRI)MATES
From the story of 'Gary', the title track of Stockport band Blossoms' fifth album inspired by a fibreglass gorilla, to breaking new ground with their own record label and staying friends after 10 years, the tightknit band tell Rolling Stone UK all about it
RULE OF LAWTEY
Stepping up to play a comic-book icon in the big-budget sequel Joker: Folie à Deux could prove a life-changing moment for Industry star Harry Lawtey. But he's trying not to think about it...