Reflecting on a career spanning 53 years, Keith Richards is trying to account for his extraordinary longevity. “We didn’t just do it to get a few hit records and be famous and blah blah blah, ’cos sometimes that’s a curse,” he insists. “We’re doing what we feel we’re good at, and in order to be heard. I don’t think there should be any time limit on that. I’m still growing up."
A conversation with Richards is peppered with similar such routines. a flash of insight undercut by a self deprecating punchline delivered with a throaty chuckle. although his sentences are liberally scattered with colloquialisms like “croak” – at one point, he describes himself as “a lucky son of a bitch” – nevertheless his warm,feline purr carries a faintly thespish quality. When talk turns to the home counties villages that incubated the British ’60s blues boom, Richards’ briefly adopts an unexpectedly genteel tone. “Epsom?” He says wistfully. “Oh, not far away. I know it very well. I used to drive through it on my way to Sussex.”
Denne historien er fra October 2015-utgaven av Uncut UK.
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Denne historien er fra October 2015-utgaven av Uncut UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record – her brilliant debut solo album – she takes stock of her consistently adventurous career so far. To discuss: her early days in New York’s Downtown, cooking with Neil Young and the perils of gentrification. “Life is unexpected,” she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
A lot has changed for TINARIWEN since they became superstars of desert rock’n’roll. But their Saharan homeland remains as troubled as ever. We track the band down in Morocco, where Michael Bonner hears tales of exile, insurgency and belonging. “As long as people are oppressed, there will be room for protest music,” they explain
Angel Olsen: Her Bright Materials
Welcome to Asheville, North Carolina, where ANGEL OLSEN is poised to release her new album, All Mirrors. Erin Osmon joins the singer-songwriter at home to discuss heartbreak, fantasy property deals and her latest bold pop experiment. “Sometimes your dreams are not what they seem,” she says
“I Was Insatiable!”
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'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iver’s endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in “some of the worst videos ever made”
The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
Australian indie ambassadors’ golden age showcased in opulent style.
It's Too Late To Stop Now
Has VAN MORRISON mellowed at last? After yet another remarkable period in his ongoing creative renaissance, the Celtic soul warrior is on good form as he talks R&B, transcendence and mythical bootlegs with Graeme Thomson. “I didn’t know what the hell I was doing for quite a while,” he reveals
Robert Plant - Digging Deep
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Leonard Cohen - Thanks For The Dance
The poet’s intimate musical postscript.
'I'll Tell You The Full Story…'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIE’s early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowie’s breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless “Space Oddity”, and tearful studio interludes… but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himself…