THREE HOURS BEFORE The Grateful Dead begin their brief and poignant farewell tour in Santa Clara, California, a couple called Jeremy and Karen are setting up their stall of bespoke tie-dyed articles in the parking lot. As they arrange the $70 silk shirts and $10 bandannas, they are talking of their times on the road following the band; journeys that began in the ’70s for both of them, and which reached a sustained climax for Jeremy between 1987 and 1995, when he was present at every one of the Dead’s last 300-odd shows.
“It wasn’t just music,” he says now, looking like a cross between Jerry Garcia and John Goodman. “The term Utopia is very maligned in society, especially in this age. What we had wasn’t a working blueprint for Utopia, but it was an unfolding better way of living, away from the safety net of a society that acts as either a sieve or a meat grinder. It was a different way of doing things. It had all the regular trappings and problems of society, but it offered hope.”
A few hundred metres away, Santa Clara’s year-old Levi’s Stadium, normally home to the San Francisco 49ers, awaits today’s influx of 83,000 multifarious Deadheads. Lifers like Jeremy and Karen mingle with new young fans, and many middle-aged men and women whose love of the Dead has endured long after their own quests for Utopia have ended.Over the next two weekends, the four remaining core members of the Dead and their accomplices will play five Fare Thee Well shows, two here and three in Chicago, which will reportedly net $40m in ticket sales. Out in the parking lots, a more idiosyncratic brand of entrepreneurship is flourishing, even while cops patrol on golf buggies.
Denne historien er fra September 2015-utgaven av Uncut UK.
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Denne historien er fra September 2015-utgaven av Uncut UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Kim Gordon: La Ghosts & Flowers
As KIM GORDON prepares to release No Home Record – her brilliant debut solo album – she takes stock of her consistently adventurous career so far. To discuss: her early days in New York’s Downtown, cooking with Neil Young and the perils of gentrification. “Life is unexpected,” she tells Tom Pinnock
Tinariwen: Even Nomads Get The Blues
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Angel Olsen: Her Bright Materials
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“I Was Insatiable!”
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'I Was Pretty Bad At Being A Pop Star'
Riding high on the back of Bon Iver’s endorsement and his finest album in years, the piano master discusses the Grateful Dead, Bob Dylan, cryogenics and appearing in “some of the worst videos ever made”
The Go-Betweens - G Stands For Go-Betweens: Volume 2 – 1985–1989 Domino
Australian indie ambassadors’ golden age showcased in opulent style.
It's Too Late To Stop Now
Has VAN MORRISON mellowed at last? After yet another remarkable period in his ongoing creative renaissance, the Celtic soul warrior is on good form as he talks R&B, transcendence and mythical bootlegs with Graeme Thomson. “I didn’t know what the hell I was doing for quite a while,” he reveals
Robert Plant - Digging Deep
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Leonard Cohen - Thanks For The Dance
The poet’s intimate musical postscript.
'I'll Tell You The Full Story…'
During the past 12 months, a series of lavish boxsets have tracked DAVID BOWIE’s early development throughout 1968 and 1969. As this comprehensive archeological survey concludes with Conversation Piece, long-serving producer TONY VISCONTI relives the highs and lows of Bowie’s breakthrough. There are ham sandwiches, Marc Bolan impressions, the peerless “Space Oddity”, and tearful studio interludes… but, most importantly, we learn how the music made during this brief but pivotal period critically influenced one superstar in the making: David Bowie himself…