Now take such a picture and paint it again and again, or photocopy it a few million times for efficiency. Then we can begin to fathom pain that comes in the size of a country. Of course, given the swiftness with which agony is being cast as heroism, Jokhan too may have been hailed as an icon of endurance, if he had survived. For, trauma is also felt by the classes that have occasion to consume this explosion of dismal news along with their takeaway food, delivered by gloved hands, and Dalgona coffee—and still have appetite leftover for messianic signs of heroism. Only the softest nudge is required. Ask Jyoti Kumari, the 15-year-old who cycled 1,200 km from the parody spires and glass boxes of Gurgaon to her real-world— Darbhanga in Bihar—with her ailing father on the pillion. The Cycling Federation of India offered her a trial! The girl refused the offer citing the primacy of her studies. What can connect the pain in her limbs, the unrequited hero fetish of Indians who can afford to stay locked down, and the sparse economy of north Bihar that her family had fled in the first place? What brand of sociology can unpack the paradoxes?
Something must. For, now we have an embarrassment of riches in terms of samples. India has turned into a giant lab of extreme sociology ever since the lockdown happened: lakhs of labourers in the cities made a dash for their homes, often hundreds of miles away. Braving—not braving, suffering—heat, hunger and the assault of police batons. On foot, on cycles, on rickety rickshaws, often crossing forests and rivers. At least a hundred died in accidents, run over by trains, hit by speeding trucks, or when their vehicles overturned. Some succumbed to sheer exhaustion—in all the glory of the Indian summer.
Denne historien er fra June 08, 2020-utgaven av Outlook.
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Denne historien er fra June 08, 2020-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee