She sits pretty on the railing of a bridge, smiling at the camera. A clear blue sky above her and a river far below. She is holding the end of her red saree about her head, as if bracing against the wind. If a picture says a thousand words, the 20-year-old’s photograph tells the sweet story of a newlywed woman. What it doesn’t say is, it is also her last photograph.
On August 16, when Rupali Patel toppled over the Mandleshwar bridge in Madhya Pradesh into a Narmada in spate, she and her husband were busy posing for selfies. A moment of distraction ended it all for her. That very day, some 300 km away at Mandsaur, a mother-daughter duo met with a watery end. They, too, were clicking selfies. They were the latest in a country that stands out as the world capital for selfie deaths.
It’s not just death by selfies. In the sweet spot of the world’s digital revolution, something strange is happening in India: a mysterious relationship between new technology and human behaviour. In August, dangerous stunts for video-sharing app TikTok killed two daredevils in Bihar and West Bengal. Weeks before, a Maharashtra teen stabbed his brother for not letting him play an online game. A 60-year-old in Rajasthan went to bed with a mobile phone in his pocket and never woke up: the phone exploded. In Delhi, a man mowed down his three-year-old nephew: he was driving and talking on his phone. In Jharkhand, a WhatsApp message spread false rumours and turned a village into a lynch mob, killing an innocent man. In Uttar Pradesh, video clippings of gang rapes shot on mobile phones are being sold for Rs 100.
Denne historien er fra September 16, 2019-utgaven av Outlook.
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Denne historien er fra September 16, 2019-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee