Having lost their land of origin, saving their language is proving tough for Sindhis in India
ON January 24, 1950, the day the Hindi version of the first stanza of a Bengali song composed by Rabindranath Tagore was adopted as India’s national anthem, Dr Rajendra Prasad, the first president, told the Constituent Assembly that it was “subject to such alterations in the words as the government may authorise as occasion arises”. Sixty-eight years later, there’s indeed a debate over one of the words in the anthem—Sindh, a land that no longer belongs to the country. Earlier this year, Ripun Bora, a Congress MP from Assam, moved a private member’s resolution in the Rajya Sabha seeking to replace
“Sindh” with “Northeast”. But Jaipur-based Bhagwan Atlani, a 73-year-old Sindhi writer and former chairperson of Rajasthan Sindhi Academy, believes it can’t happen. “Sindh has been there and it will remain there. Let them shout, nothing will change,” he says.
Atlani was three in 1948 when a pogrom forced Hindus in Sindh, a state in newly formed Pakistan, to seek refuge in India. His family had to leave their home in uptown Larkana and board a steamer from Karachi. Like thousands of Sindhi families, they ended up at the KalyanUlhasnagar camp on the outskirts of Bombay (now Mumbai) and had to start their lives from scratch. That’s how the Indian population came to include a community that carries the name of a state across the border as one of its many legacies. Relatively untouched—unlike the Bengalis and the Punjabis—by the violence that accompanied Partition, the Sindhi
Hindus now found themselves in a country that didn’t include Sindh. Sindhi speakers in India numbered around 25 lakh in 2001, when the population of India was around 100 crore, according to that year’s census.
Denne historien er fra September 17, 2018-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra September 17, 2018-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee