ON May 6, when Kashmiri militant Riyaz Naikoo was killed by security forces, the all-enveloping Covid pandemic ensured the expected eruption of vengeful jubilation across social media didn’t reach the levels seen after Burhan Wani’s killing in 2016. Yet, he was Kashmir’s longest-surviving militant. So a more modest version of the coda duly played out: the first protests in the Valley since August 2019, and on the mainland, “nationalist” channels proclaiming that the “poster boy of terrorism”—indeed, the “virus of terrorism”—had been eliminated. This was preceded by the “martyrdom” of eight security personnel, killed by militants on May 3-4. Kashmir’s reality—for the last three decades—has been characterised by this cycle of retribution. And every time a bullet hits home, it hits a human: with a history and an alternate possible-future.
Denne historien er fra August 10, 2020-utgaven av Outlook.
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Denne historien er fra August 10, 2020-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee
