Focussing on citizens’ behaviour and segregation at source brings results
India doesn’t know how to manage its waste. The solid waste management (SWM) rules notified in 2016 clearly spell out how best to segregate and manage urban solid waste at the source to ensure minimum dumping in landfills. But hardly any municipalities have bothered to enforce these rules, and the urban waste crisis in many cities has reached “explosive” dimensions. “The simple task of enforcing segregation of waste at the source, a standard practice in much of Europe, has become a very complex problem in india. There is a need to transform social behaviour towards waste. There is also a need to push civic and regulatory systems out of their inertia. Or we will only burden future generations with the toxic impacts of our waste,” says Leo Saldanha of Environment Support Group.
India produces over 1.5 lakh metric tonnes of waste daily, one of the highest in the world. Waste generation per capita varies from 170 grams per person per day in small towns to 600 grams in cities. A parliamentary committee observed in 2016 that out of all municipal solid waste (MSW) generated in the country, only 0.33 lakh tonnes were being treated and disposed per day. “Waste is a circular economy. The key to this circular economy is to not talk of waste disposal but waste management,” says Wilma Rodriques of Bangalore-based NGO Saahas, which has been striving to promote zero waste.
Saahas is among a growing number of NGOs in Bangalore that are promoting on-site composting and waste segregation. Rodriques says the effort is to formalise the informal sector engaged in waste segregation and provide the field staff with a minimum wage of Rs 15,000. “There is a need to recognise this as a professional service,” she says. After segregation, all the waste is sent to different authorised end destinations.
Denne historien er fra April 23, 2018-utgaven av Outlook.
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Denne historien er fra April 23, 2018-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee