In the complicated world of automobile manufacturing, India holds a special place. It’s special because it’s known to be the burial ground for some of the biggest carmakers in the world – just ask General Motors.
Marked by unique demands, diverse geography and challenging infrastructure, and a lack of clarity in government policy, the Indian market offers a high degree of complexity to say the least. As the now-infamous Mr Carlos Ghosn once said to me over lunch, before the launch of the Kwid, ‘India is definitely one of the toughest, if not the toughest, markets in the world to understand and succeed in.’
The challenge
Considering that two manufacturers account for around 70% of the passenger car market in India, it’s clear that Kia Motors has its work cut out for it. To be honest, though, Kia has followed quite a deliberate strategy right from the day they announced their decision to enter the Indian market – their vast display at the Auto Expo made that apparent.
Subsequent to that, Kia managed to keep the buzz around the brand alive – highlighting its massive investment in India (over $1.1 billion at last count) to build a 3,00,000-unit plant in Anantapur, as well as to build anticipation and excitement for its first product, the Seltos SUV.
Enter the Seltos
The Seltos made its first appearance at the 2018 Auto Expo in the form of the SP2 concept, and it’s good to see that, by and large, Kia has stuck to the design of the concept car. As a result, what we get is a very attractive SUV that features many mature design touches to make it stand out in a crowded market.
The front end of the Seltos is particularly impressive – the huge ‘Tiger Nose’ grille, Kia’s design trademark, has a knurled aluminium finish, with a contrasting black plastic grille. Pair this with large sweeping headlights and turn indicators, along with vertically placed fog lamps, and the Seltos cuts a fine figure, with imposing road presence.
Denne historien er fra September 09, 2019-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra September 09, 2019-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee