A close-knit team of bureaucrats enjoying the PM’s confidence is his trusted means to realise his vision.
A joke often heard in the corridors of power is that files had to travel from ‘Pillai to Pillai’ in the UPA government and now things get settled much faster—between Misra and Mishra. There may not have been too many ‘Pillais’ in Manmohan Singh’s government, but there was surely a predominance of Malayali officers, including many from the Kerala cadre. And Misra and Mishra, or ‘Bade’ Misra and ‘Chhote’ Mishra, are PM Narendra Modi’s principal secretary Nripendra Misra and additional principal secretary P.K. Mishra. Along with national security adviser Ajit Doval, they form the fulcrum of Modi’s PMO, and all three have been given the status of cabinet ministers, making them senior to the MoS in the PMO, Jitendra Singh, in the table of precedence. Earlier, when their position was equivalent to that of an MoS, protocol allowed a cabinet minister to call Mishra to his office to discuss matters of transfers, postings and appointments. Not anymore. “Power was centralised in the PMO even during Modi’s first term, but this PMO will wield even more power as cabinet rank gives these bureaucrats more authority,” says a senior IAS officer. “The PM has enough confidence in them to give them the authority to dictate terms by enhancing their status in the hierarchy.” According to this officer, this was also necessitated after the PM’s trusted diplomat S. Jaishankar, a 1977 batch IFS officer, was made external affairs minister. “The three PMO officers are senior to him in the civil services and the PM wanted to avoid a situation where they had to report to their junior,” he explains.
Denne historien er fra July 01, 2019-utgaven av Outlook.
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Denne historien er fra July 01, 2019-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee