AAP still has big political plans. But BJP has its ways to check the rival’s ways.
LAST week, a posse of policemen— answerable to the Union Home Ministry, not Delhi government— interrogated the deputy chief minister, Manish Sisodia. Their subject: chief secretary Anshu
Prakash, who has charged ruling Aam Aadmi Party (AAP) leaders with assa ult during a meeting on February 19. Chief minister Arvind Kejriwal has already been through a lengthy police grilling in the matter.
For all the questions and answers, the matter refuses to go away or arrive at a logical end. If public memories of le affa ire Anshu Prakash were fading, intermit tent police interventions regurgitate it on TV screens. The sequence of events is unreal: in most states, police are at the beck and call of ministers but in the cap ital it is just the reverse.
AAP leaders don’t hunt for words before concluding that these Q&As appear scripted. “This was a wellorchestrated scheme put in place soon after AAP came to power,” says party leader Ashish Khetan.
“The BJP and Congress are constantly trying to prove that we are no different from other parties—that’s exactly what they say after every incident.”
Denne historien er fra June 11, 2018-utgaven av Outlook.
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Denne historien er fra June 11, 2018-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee