WHEN I first heard of Chandrashekhar, his Bhim Army was new in Saharanpur. It wasn’t known from Kashmir to Kanyakumari as it is today. I had heard of a young Dalit man who had enthused the youth with work in the community. Dalits are victims of the aggression of others. They have no money, no assets and no power. They seek in their leaders all that life hasn’t given them. Young Dalits could not but be magnetised by Chandrashekhar’s outspokenness, filled as they are with a longing for power and dignity.
Now isn’t the first time Dalits are being combative. In the 1960s, Republican Party of India leader B.P. Maurya raised the slogan ‘Jai Bhim’. To say Jai Bhim is to say ‘I am Dalit’. It sets them apart, like Sat Sri Akal, Ram-Ram and Salaam Alaikum mark a Sikh, a Hindu and a Muslim respectively. Maurya wrought into north India’s Dalit movement the same strident tendency he saw among Maharashtra’s Dalits. The BSP popularised Jai Bhim and raised other bold cries: ‘Tilak, tarazu aur talwar, inko maaro jootey char’. Mayawati’s tough stance made her a Dalit icon and attracted other social groups to her BSP. That’s how she could lead the politics of Uttar Pradesh repeatedly. Ram Vilas Paswan’s Dalit Sena was provocative too. It told Dalits, ‘TV becho bandook khareedo’—to marshal resources for self-preservation, not entertainment.
Denne historien er fra August 20, 2018-utgaven av Outlook.
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Denne historien er fra August 20, 2018-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee