Why does nearly every ‘natural’ disaster hit us on such a scale? What are we doing wrong? Who’s guilty? Kerala’s monster monsoon leaves us with a deluge of questions.
The Deluge. It’s just over a week since it hit Kerala. yes, the scale was epic enough to recall Pauranic and Biblical lore, and the effect profound enough for all of us to revisit our basic ideas about how we live. as the flood waters recede, the freed lands unveil more destruction every day. But the story has gone beyond the human toll, the material devastation, the heroic rescue work, the exhausting social media battles. It’s almost as if we have attained the wide-angle perspective of an aerial shot at one of those dams in the Idukki high ranges, bursting at the seams: Nature threatening to overwhelm puny human efforts to control and contain her. One look at it and you know. India simply has to reckon with its past follies and prepare for the future. It cannot meet the next disaster like a deer caught in the headlights of an oncoming train.
Cut to Scene 1: a hum of activity. It’s CM Pinarayi Vijayan’s secretariat in Thiruvananthapuram. There’s near-mayhem here, and a precarious order emerging from it. The Communist strongman’s all-powerful secretary, former CPI(M) legislator M.V. Jayarajan, is trying to manage the crisis from the top office. With a towel draped over his chair—the regulation blue-onwhite characteristic of Kerala’s officialdom—Jayarajan is monitoring television news. His telephone will not stop ringing. Entreaties are pouring in—millions are still marooned on makeshift ‘islands’, an archipelago of rooftops and ridges. “Our hill stations, our coastal belt, the intermediary areas, all are affected,” says Jayarajan, gloomily. “All 42 dams in the state have been opened as their water level was exceeding capacity. We never expected this to happen.”
Denne historien er fra September 03, 2018-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra September 03, 2018-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee