YOU don’t need a five-star political analyst to tell you that the Indian media has never been as divided as now. Few journalists and op-ed writers—or, for that matter, even “objective” historians like Ramchandra Guha—now bother to hide their political inclinations or affiliations. You are either “secular left” or “communal-right”—either with “us” or against “us”. There is no neutral space, and that is not as bad as it sounds. Between a media that maintains a pretense of neutrality and one that openly declares its political inclinations, one should prefer the latter, as it at least brings underlying biases out in the open. You know what to discount. The joke is really on the mainstream Lutyens English media, which is still claiming neutrality when its sympathies are obvious to everyone and the dog at the lamp-post.
If one were to name names, one would put NDTV and India Today TV in the anti-Modi, anti-BJP/RSS side of reportage, while Republic TV and Times Now veer towards the other side; CNN News18 is somewhere in the indeterminate middle, swinging both ways. The polarisation sometimes happens within the same media house, with the likes of Rajdeep Sardesai and Rahul Kanwal on one side, and Gaurav Sawant on the other, in India Today TV.
Denne historien er fra March 02, 2020-utgaven av Outlook.
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Denne historien er fra March 02, 2020-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee