Biographer, chronicler, equal-opportunity critic and sincere friend are but a few of Ram Guha’s avatars.
MY first impression of Ram Guha was that he must be an intellectual about sixty or seventy years out of his era. With his rough tweed jacket and baggy trousers, his tousled hair, his round-lensed spectacles and his rather shambling gait, he looked like a figure of the 1930s; underneath his jacket he wore a patterned jersey that might have been knitted for George Orwell. And he talked too, in a way I had been told that bhadralok scholars always used to talk, rapidly and excitedly on a very wide range of subjects.
Yet I soon realised he was not really garrulous—an adjective much used by British rulers to denigrate Bengali intelle ctuals—he was simply more interested and better informed than almost anyone else. About twenty years ago we went to Trent Bridge to watch a cricket match, I in my stripey blazer, he in his tweed jacket and Orwell’s jersey. We travelled to the ground with Sunil Khilnani and my son in a motor car, a rather ropey old vehicle that Sunil had recently bought from a friend. It was a daynight match, an ODI between Australia and Pakistan, and as we returned to the car park shortly before midnight, Sunil suggested that, as he had only recently passed his driving test and had never driven in the dark, it might be better if I drove home. Reluctantly I agreed and, while I navigated the outskirts of Nottingham and set offon the long dreary journey down the M1 to London, Ram in the back seat kept up an inquisition that lasted two hours. Had I read the current issue of the New York Review? Did I agree with so and so’s piece in the latest Times Literary Supplement? What did I think of a denunc iatory article in the London Review of Books? He is sometimes a difficult chap to keep up with.
Denne historien er fra April 09, 2018-utgaven av Outlook.
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Denne historien er fra April 09, 2018-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee