It is unlikely that the dust billowing from falling debris, whether in India’s remote past or near history, will ever settle. India lives as if in a constant series of detonations, of making and unmaking, wilfully filling out the idea of an endless cycle of death and rebirth…animated by the (often imagined) memory of past lives. The November 9 Supreme Court verdict on Ayodhya, which cleared the path for temple construction, spoke to different memories in different people. For many, it recalled December 6, 1992— the day that saw enough debris, “an egregious violation”, in the court’s words—and the mobs that exacted their toll before and after. For those moved by the promise of a Ram temple, it recalled another: Somnath. The phoenix among temples, if ever there was one.
Reaching back to Somnath’s historical symbolism was always a deliberate part of the Ayodhya story. It was from there that L.K. Advani, the BJP’s original Hindutva icon, launched his rath yatra in 1990. In his 2008 book My Country My Life, he wrote of Somnath with the tropes appropriate to a Hindutva party’s self-validating narrative—primarily, “the historical lineage of Muslim aggression”. “The intention was to contextualize Ayodhya…and then to seek legitimacy for (the) mandir movement by drawing a parallel,” he wrote. Some of his compeers in the saffron brotherhood are drawing more prosaic parallels too. Especially in the way the temple is proposed to be built and managed. Now that the Supreme Court has mandated temple construction, the next act will be about the who and the how—with more than one aspirant temple authority on the scene. And the other question beyond Ayodhya: what next?
Denne historien er fra November 25, 2019-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra November 25, 2019-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee