A recoiling society banishes transgenders to the wretched margins. As a bill in Parliament pledges protection, these Indians glimpse freedom.
“A transgender person is a divine soul. You cannot say if God is a man or woman; it’s the same with us. Though we are affined more to one gender than the other, we definitely have the characteristics of the other gender too. We are unique. We have the capacity to analyse both the physical and mental aspects of both men and women, which drives us to do things that both men and women are capable of.”
—Narthaki Nataraj, classical dancer
In May this year, the Asian edition of Time featured a survivor in war-torn South Sudan on the cover. “I was the only one God left alive,” read the dark headline. But readers in the US received a peppier (yet equally political) offering, with colourful strips of toilet paper dangling down a holder: Battle of the Bathroom, it said. The eight-page story detailed why the fight for transgender rights had moved, in the land of the free at least, into the most intimate of public spaces: the toilet.
Think about it, the washroom as a metaphor of change. And then, think about the number of times you have thought about how half-a-million people out of a billion-plus might be using it in schools, colleges, offices, hospitals, railway stations and cinema halls. In a nation where public toilets are a luxury even for men and especially for women, thinking about the needs of 0.04 per cent of the population might seem fuuristic, but as independent India turns platinum, now is a good time.
Reason #1: In 2014, the Supreme Court accorded the status of ‘third gender’ to transgender people, giving them the right to determine the gender they identify with.
Reason #2: Since 2015, at least three MPs of three regional parties—DMK, TMC and BJD—have moved private members’ bills in Parliament for their welfare.
Denne historien er fra August 22, 2016-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra August 22, 2016-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee