Apsara Reddy thinks there’s no real place in the heart of a man for a transgender woman.
Ironically, all is never fair in love and war. I fought a no-holds-barred war to come into my own, to define my own modesty, ditched all those who denied me dignity and made a meaningful place for myself against all odds. Today, I am a full-fledged woman, having undergone gender reassignment surgery and fully settling into mainstream life. Yet, does the world recognise me as a woman, the woman that I have so longingly felt like all my life, to finally find the meaning of life in which I have endured brutal acidic arguments—one that is fulfilling, filled with love, one where there is no space for negativity and guilt? The answer is couched in the deep-rooted discomfort and awkwardness that people feel when discussing a transgender woman’s right to dignity, liberation and love.
Despite my surgery, men who have conversations with me seldom look at a longterm relationship, although they are willing to unequivocally sign up for love, passion and togetherness. But never marry. And those that do, with a promise of a happy life, refuse to stick around too long after the initial euphoria dies down.
Shamita, a dear transsexual friend of mine, was an escort. She was fragile, silken soft, vivacious and fun-loving. One of those girls you would call a doll—so beautiful, she passed easily for a real girl. She was also terribly yearning for love, a home and a lasting future. By day, Shamita would spend time at home looking after her ailing mother and at night she reluctantly entered the dark world of escorting at plush city hotels. Her clients included professionals, local politicians, Chennai’s elite and rich oil barons from the Gulf. But Shamita nursed a dream too—she wanted to someday become a human rights activist—having studied human rights at college through a scholarship in Delhi. But as she began the process of transformation (to becoming a transsexual), her fate was unfortunately sealed.
Denne historien er fra January 02, 2017-utgaven av Outlook.
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Denne historien er fra January 02, 2017-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee