Duds may lie under the suds, but Tamil’s puffed up filmstars demand the world in fees. Gasping distributors mull a tier system to stay in business.
THE year 2019 turned out to be as disappointing for Tamil film hero Surya as the past few years. His latest film, NGK, directed by Selvaraghavan, bombed at the box office. The underwhelming political drama was panned by critics as well. For this talented actor who had been the main draw and acting soul of hits like Kaakha Kaakha, Ghajini and Singam, NGK joined his string of flops in the last six years.“Surya’s last real hit was Singam 2, released in 2013; since then he has not come up with a winning formula in spite of changing directors,” observes a leading film critic.
But the flops have not deterred Suriya (43) from compromising on one thing Tamil heroes are fiercely protective about—their salaries. The diminutive actor still quotes Rs 25 crore for a film and only producers ready to pay that enormous amount are entertained. But Suriya is not alone in unwilling to compromise on the pay cheque. Other Tamil heroes are refusing to climb down from their high perches, sending, in turn, production costs into the upper stratosphere.
Denne historien er fra July 01, 2019-utgaven av Outlook.
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Denne historien er fra July 01, 2019-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee