AS popular protests against CAA/NRC continue to rage across university campuses and street corners, a consensus is gaining ground that Prime Minister Narendra Modi has veered away from the seemingly optimistic, future-oriented agenda of economic growth, and instead turned the clock back to aggressive Hindu majoritarian politics. And that, in doing so, he has diverted focus and energies away from the real issue facing India— the fragile state of the economy that can no longer be kept hidden. This view is shared by many Modi supporters and critics alike, albeit for very different reasons. Modi supporters on the centre-right lament that the increased focus on Hindu majoritarian politics—from Article 370 and Ayodhya to the relentless obsession with the taxonomy of citizens, doubtful citizens and infiltrators—risks derailing India’s march to the high table of global politics. In contrast, the critics view the aggressive turn to Hindutva itself as a diversionary tactic, a calculated move to cover up dismal growth numbers that continue to slide backward to the pre-reform years.
What is striking in these conversations is how Hindutva 2.0 is often explained away as something separate: a risk-laden instrument activated after Modi’s trumpcard—the promise of acche din (good days)—failed to materialise. The arrival of Hindutva on the centrestage, in this view, is a form of compensation for poor performance on the economic front. This diagnosis not only falls short, it also misreads the nature of kinship between Hindutva politics and the economic growth agenda.
It is by laying bare this kinship that we can make sense of the ongoing political struggle, a struggle to safeguard not just the spirit of the republic, but also the right to be counted as a part of its public.
Denne historien er fra February 03, 2020-utgaven av Outlook.
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Denne historien er fra February 03, 2020-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee