KAJODI was a powerful image. A lonely figure, the vast emptiness of the Noida-Greater Noida Expressway and the horizon dotted with high-rise buildings. In the aftermath of the national lockdown announced on March 24, the 90-year-old was trying to walk from Delhi-NCR to her village in Rajasthan, some 400 km away. The image infuriated me. Then it depressed me. Trained as a scientist—a biochemist and virologist to be exact—I was in demand for my views on the coronavirus outbreak. Relying on public health principles, I was advocating social distancing and a lockdown…. But wasn’t I being completely blinkered by the science, and not paying attention to the “public” in public health? Indeed, I was…and I was angry with myself.
How dare I sit in the comforts of my South Delhi apartment and pontificate to people living on the edge? How would I explain, let alone justify, “social distancing” to someone who lives in an urban slum in Delhi or a chawl in Mumbai? One room with five or six people? My anger turned to depression. Over the next fortnight and more, as we navigated to the end of one lockdown and the beginning of an extension, a variety of other conflicted emotions too overwhelmed us. What have we scientists learnt, experientially? How must science look upon these scenes that confront it from the world out there, the world beyond the research lab? Here, I put down some of my thoughts and feelings—hopefully, we can turn our doubts into the outlines of a collective interrogation of science in society.
Denne historien er fra April 27, 2020-utgaven av Outlook.
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Denne historien er fra April 27, 2020-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee