The conflagration of the present must not lock us into myopic anger. What we must seek is an enduring solution.
War, oddly enough, sometimes begets peace. at a time when apprehensions of war—indeed, exhortations to war—fill the air, it’s time to reflect on an earlier turn of the wheel. The last real opening for a solution in Kashmir had come in the first decade of the century, close on the heels of the Kargil war, with one pivot being the hitherto war-mongering general, Pervez Musharraf. During a period that straddled the Vajpayee and the Manmohan Singh years, India and Pakistan had crafted a détente—an admittedly difficult and fragile peace but one where, despite moments of grave provocation, radical and innovative solutions to the Kashmir tangle came close to wresting a consensus. Even a hardliner like L.K. Advani could hold talks with the Hurriyat in 2003. at this point in 2019, that time seems far away. With the Lok Sabha elections two months away, the Pulwama terror attack—the biggest in the Valley since independence—is threatening to overshadow all other issues in a cloud of belligerence that’s producing a lot of heat, but no light.
The decade since 2008 has been like a sheer cliff for Kashmir: the Amarnath land row, the 2010 summer protests, the Afzal Guru hanging in 2013, Burhan Wani in 2016…each inflection point created a lower ebb, to the point that the nightmare of the early ’90s seems to be upon us again. But through each of those crisis points, there was a track that New Delhi allowed to wither away. The only time anything resonated in Kashmir was when the Centre tried to talk, genuinely talk—and listen. It was a revelation that, even through the veils of mistrust, Kashmiris had responded. Even more of a stark surprise that the Centre never really followed up on what seemed like the only good chance.
Denne historien er fra March 04, 2019-utgaven av Outlook.
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Denne historien er fra March 04, 2019-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee