The Patron Saint of Complicated Women
The Atlantic|January - February 2020
Bombshell is Charlize Theron’s latest effort to subvert the typical Hollywood role.
By Abby Aguirre
The Patron Saint of Complicated Women

Charlize Theron received the script for Bombshell, the new drama about the women who exposed sexual harassment at Fox News and brought down Roger Ailes, in the summer of 2017. Two months later, the first Harvey Weinstein story broke. In certain Hollywood circles, people had been aware that a Weinstein investigation might finally make it into print, but nobody could have foreseen the magnitude of the fallout or the movement it would ignite. “There was something in the air,” Theron recalled one morning in October, tucked into a corner table at a Holly wood restaurant. “I didn’t have an inkling of how big it was going to be or how long it was going to last.”

Among the things that ultimately drew Theron to the Ailes story—what led her to sign on to star in and produce Bombshell—were the women at the center of it: the formidable blond protagonists of Fox News. There was Gretchen Carlson (played by Nicole Kidman), the former Miss America and longtime anchor who filed the initial lawsuit against Ailes, accusing the Fox News chairman of making sexual advances and then retaliating against her after she rebuffed them. There was Megyn Kelly (Theron), the network’s biggest star, who came forward with allegations against Ailes in the weeks that followed. And there was a young female producer (a composite character played by Margot Robbie) who seeks out Ailes in hopes of landing an on-air position, only to be cowed into showing him her underwear during a one-on-one meeting, among other indignities.

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