For almost 50 years moviestar Jeff Bridges has been at the top of his profession, garnering seven Academy Award nominations and winning the 2009 Best Actor Oscar for his performance as an ageing country singer in Crazy Heart. Yet throughout much of this period Bridges has also been pursuing his passion for photography by shooting on-set pictures with his beloved 35mm Widelux F8 panoramic camera.
The second book of Bridges’ on-set photography was published in October 2019 and it spans films he has made since 2003 – the likes of Seabiscuit, Iron Man, Tron: Legacy, True Grit, Hell or High Water and Crazy Heart.
Jeff Bridges: Pictures, Volume 2 features dozens of his images, which range from true candids to posed tragedia/comedia pictures, where the long shutter span of the camera allows the subject to go from one side of the frame to the other to pull two different faces.
Bridges’ ongoing fascination with shooting on-set images was sparked by his co-star Karen Allen on the set of the 1984 movie Starman. She suggested to him to combine the images he’d been shooting with those of unit photographer Sid Baldwin into a photo book for the cast and crew of the movie… and that’s exactly what he did. Now, over 30 years later, he’s still doing it.
Teenage interest in photography
His initial interest in photography dates back to his teenage years, ‘When I was about 15 or so I kind of took my father’s 35mm Nikon camera and would shoot pictures of my friends and so forth. I made a little darkroom in my bathroom, got an enlarger and did all that kind of stuff. So I got into it around that age.’
Denne historien er fra December 21, 2019-utgaven av Amateur Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra December 21, 2019-utgaven av Amateur Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.
