Softly does it
Getting the best lighting for portraits isn’t always easy, but that doesn’t mean that you shouldn’t get out with your gear in whatever weather/lighting conditions you’re dealt with
The broad range of talents you need for portrait photography makes it incredibly appealing – part artist, part physicist, part counsellor, part clown; it is indeed multi-faceted.
Every person’s face is different, so uniqueness is almost guaranteed each time you create a portrait. However, there are still skills and ideas you can bring to bear when working with your subject, from getting the best out of natural light to creating tension in the design of the image and knowing when to release the shutter.
In this feature, I’ve outlined some of the ideas that have worked for me over the years and could very well work for you as well. I have broken them into sections for clarity, but, honestly, they are a mishmash of many influences and millions of images. Let’s get started!
The most readily available softlight source is natural daylight: all you require is an overcast sky. If you are lucky to live in sunnier climes, there are always shady porches and doorways to avoid hard sunlight and capture some simple headshots.
Provided my subject in the doorway can see the sky over my shoulder when they look up to the camera, the light will always be reliable. I know I have it sorted when I can see the sky clearly reflected in their eyes – the sky is a natural softbox, illuminating the face and creating wonderful catchlights. This pose has the advantage that the subject’s body drops out of focus, making it all about the face.
Denne historien er fra March 2022-utgaven av N-Photo: the Nikon magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra March 2022-utgaven av N-Photo: the Nikon magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body