Of all the various types of landscape environments, I enjoy photographing mountains more than anything else, simply because they are so unpredictable.
One thing I’ve learned about weather forecasts in the mountains is that they are hardly ever correct. On one side of the peak it can be tipping it down, while the other can be bathed in sunshine. Rain isn’t always a bad thing, either, as it often brings low clouds through the mountains, which can be very atmospheric.
The forecast for the week during my autumn workshop in the Dolomites was rain every day, so we were pleasantly surprised to have only one day of rain in the valley; and with temperatures dropping at the higher altitudes, the mountains were covered with a foot of fresh snowfall.
I’ve visited in all seasons, but sometimes they can blur into one another. We went with the intention of photographing the autumn colours in the mountains, and instead got a touch of winter mixed in too.
Snow really helps to define the craggy shapes of the mountains and conceals unnecessary details, strengthening the main subject in compositions. Dark green conifer forests are transformed by a bit of snow, like sprinkling icing sugar over a scene.
Denne historien er fra January 2021-utgaven av N-Photo: the Nikon magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra January 2021-utgaven av N-Photo: the Nikon magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body