Whether he’s photographing otters in Cork, or ocelots in the Amazon, Tom Mason likes to bring out his inner geek. Keith Wilson hears about his love of camera traps and why he will never part with his 300mm f/2.8…
We’re only in mid-January, at the time of this interview, but Tom Mason is already working abroad. He’s in Cork when we speak, returning to an ongoing project photographing the otters that frequent the river bisecting Ireland’s second city. Then in March he heads back to the UK for The Photography Show, where he will be giving his talk, ‘Making the most of your next wildlife photography trip’ – retracing his recent travels to more far-flung locations from the Amazon to the Falklands. Tom’s voice speeds up in excitement as he begins recalling his quest last year to photograph the most elusive of big cats, the night-prowling jaguar in the jungles of the Peruvian Amazon. It’s a tale with dogged determination, artistry and a bit of luck – It’s enthralling to hear…
Can you give me a preview of what you will be talking about at The Photography Show this year?
This year’s lecture will be about going abroad on big trips and how I plan to make it different. I spent the summer of last year looking for jaguars in the Amazon rainforest and working with camera traps. It represented a big change on how I work compared to anything I’ve done previously.
Can you tell us about some of the highlights from that trip?
Every three days I’d go into the rainforest, set up a camera trap, and for the first three weeks I got absolutely nothing! You just have to think, ‘It will happen, I just have to keep working at it, working with these guides to find the most likely places.’ Two weeks after that I started to have some success, I got some ocelots local to camp and I’ve got five or six pictures that I’m really happy with.
Camera traps can be a bit a lottery.
Denne historien er fra April 2019-utgaven av N-Photo: the Nikon magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2019-utgaven av N-Photo: the Nikon magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body