I’m a fashion and beauty photographer from London and began my career in 2010, when I was 17 years old. From that moment I knew I wanted to be a photographer. I’ve dabbled with various genres, but something about beauty and fashion resonated with me.
I soon realized that I wanted this to be my career and at this point I was getting ready for university, but, by the middle of 2011, I already had paying clients – I took the plunge and decided to follow my heart, fully committing to portrait photography.
At the start, I needed to get my name out there, which is one of the reasons I worked with bloggers and influencers where possible. This helped me get a foot in the door. I’m a big advocate of representation and body positivity, so I’ll work closely with models from various backgrounds. It’s important to me to work with plus-sized models too, as this group is often under represented in the industry. Because of this, I have great connections throughout the industry, with regular clients, such as Nella Rose and WMNS Wear, as well as models, I know well and can rely upon.
I’ve always used Canon. I love the speed of my EOS 5D Mark IV: I find no delay when shooting, which is fantastic for fast-paced shoots. I also adore how easy the menu is to use and understand. It sounds simple, but the different sections in the menu make it much more intuitive for me, meaning I can spend less time setting up my camera – and more time shooting!
Denne historien er fra December 2021-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra December 2021-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
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Sharpening a digital image also increases contrast at the edge of details
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Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
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Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
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The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!