The transport part of the player is even easier to nail, this thinking goes, because all it needs to do is extract the data accurately, something any box-store CD player can do. Jitter? No need to worry about that, or anything happening in the time domain, as long as the data are transferred to a decent DAC via an asynchronous isochronous interface and reclocked inside the converter. Reclocking salves all digital wounds, or so this thinking goes.
What’s especially reassuring to like-minded audiophiles is that all this can be verified with a simple set of measurements that almost anyone can do; all you need is some affordable software and a $150 USB computer interface—or, at most, an Audio Precision analyzer, which isn’t cheap but costs half as much as Michael Fremer’s reference phono preamplifier.
Such an approach allows the manufacture of players and DACs that can be sold for perhaps $1000, or even several hundred less than that, assuming it’s manufactured in a low-wage country. Manufacture it in the US or Europe and, even if it’s built to an exceptionally high standard, the price can remain quite low.
A top-quality digital source, then, is a commodity, like gasoline, a dozen eggs, or flash drives. It’s pointless to spend more, or so the thinking goes. Or perhaps not.
Digital is analog
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Denne historien er fra March 2022-utgaven av Stereophile.
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Michael Des Barres and the Art of Aural Obsession
Listening to music inspires us to take action. Upon hearing an I.E.-Instant Earworm-we must then determine the best way we can go about listening to it again (and again) at our convenience.
PLANET OF SOUND
BLACK FRANCIS ON HARNESSING THAT MAGIC PIXIES DUST
T+A R 2500 R STREAMING RECEIVER PHONO MODULE
In my review of the T+A R 2500 R receiver (August 2024 issue), I covered many of its features and took as deep a dive as time and column inches allowed.
Audia Flight FLS10
The dogma of separates has long reigned supreme among audiophiles: If you're serious about sound quality, you're supposed to need a dedicated preamp and power amp.
Totem Acoustic Element Fire V2
Totem Acoustic was founded in 1987, in Montreal, Canada, by a former high school math teacher named Vince Bruzzese. The company's first product, the Model 1 loudspeaker,' impressed me so much I bought a pair.
MoFi Electronics MasterDeck
Get two mouthy jazz drummers in a room and watch the sparks fly. Talented turntable designer Allen Perkins, the brain behind Spiral Groove,2 Immedia's RPM turntables,³ and various SOTA models, is first and foremost a jazz drummer.
Soulution 727
AImost 14 years have passed since a review of a Soulution product appeared in the pages of Stereophile.\"
The Spin Doctor checks out the Kuzma Safir 9, a superarm from Slovenia.
The British audio scene from the late 1970s through the mid-1980s was pretty strange. Audio as a hobby was a big deal, with widespread appeal to a much younger crowd than today. Audiophiles were guided by a flurry of what my friends called \"hi-fi pornos,\" audio magazines that filled the racks at the newsagents.
Alex goes to Japan
Arriving in Japan from the United States is like being turned upside down. This condition lasts for much of the first week. When I visited in November, the time difference between Tokyo and New York was 14 hours. \"The floating world\" is a term for the pleasure-addled urban culture of Edo-period Japan, but it's also an apt description for the twilit and not-entirely-unpleasant weirdness of first arriving in Tokyo. Everything seems slightly unreal.
Wilson Audio Specialties The WATT/Puppy
Since the original WATT/Puppy concept kicked off in the late 1980s,' there has been a 40-year evolution leading to the latest version reviewed here.