PAUL SIMON SEEMS ridiculously out of place in an isolated Himalayan village. Yet, the haunting chords and profound lyrics of his Andes-inspired song El Condor Pasa, which goes, “I’d rather be a forest than a street…”, keeps replaying in my head. I picture myself à la Cheryl Strayed—a hiking cane in hand and a rucksack on my back, like in the movie Wild—undertaking the tough Pacific Crest Trail. Unlike Strayed, however, I am hiking in the protective company of my husband, and we are doing a far easier day-long trek through thickets and meadows, along trickling streams and roaring waterfalls, and up undulating hills dotted with sprightly rhododendrons.
Everywhere we look, glaciers and snow-capped peaks of the Dhauladhars gaze back. Tiny hamlets that seem like the re-imaginings of a fairy-tale writer peer from cliffsides. Delicate terraced farms of mustard punctuate the sturdy landscape. A river rambles way below. Like apparitions, humans appear occasionally. Men bearing the trademark Himachali cap and women wearing the traditional fulli and balu (gold pins on both nostrils) greet us with smiles that widen into grins. “Which one is your village?” we ask, and they jauntily point it out. “Aao, chai peene (Come, have tea with us),” absolute strangers invite.
Denne historien er fra March - April 2020-utgaven av Discover India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Denne historien er fra March - April 2020-utgaven av Discover India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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