EXTERIOR This new interpretation of the BMW face with the split headlamp and grille has a unique light signature that will only be seen in BMW's halo models, like this i7, the X7 and the upcoming BMW XM.
THE CREW AT BMW LOVE A BIT OF BRUTALISM. As curvy and svelte as many of their models usually are, every now and again up pops a BMW that owes more to that architectural school's monolithic, unadorned functionalism than it does to easy-on-the-eye lines sculpted in a wind tunnel. In fact, Brutalism is coded into BMW's DNA - see the brand's Karl Schwanzer-designed museum in Munich - and it has manifested in models like the 7 Series of 2001-2008, the current BMW IX, and now the new 7 Series launched in South Africa earlier this year.
It's also an aesthetic that, by its very nature, is eternally polarising. Brutalism leaves no-one indifferent - you either love it or you hate it. And the new 7 Series has not escaped that adjudication. As I was for its 2000s-era Chris Bangledesigned predecessor, I am in the "love it" camp when it comes to this new Beemer. As too, obviously, is its creator Adrian van Hooydonk, the BMW Group's design director.
"The design is at the crossroads between engineering and art," says Adrian, who also served his apprenticeship under Bangle. "Art can inspire people in very personal ways. Often, modern art is an experience for all senses, and that is exactly what we wanted to create with the design of the BMW i7. It's an experience designed around comfort, space and privacy, and tailored to our most discerning customers."
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Denne historien er fra 125-utgaven av VISI.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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THE STORY OF AN AFRICAN ICON
With a long line of very successful ancestors, the new-generation TOYOTA LAND CRUISER PRADO had some big tyres to fill. We look at the approach its design team took to CONTINUE THE LEGACY.
THROUGH THE LENS
We asked one of VISI's favourite photographers, PARIS BRUMMER, to choose her four FAVOURITE CAMERAS. The brief? \"From the fun to the profesh!\"
YOUR GARDEN DAY CROWN
Gardens have the power to unite us - which is why the GARDEN DAY movement encourages plant enthusiasts to don a flower crown and CELEBRATE THEIR GREEN SPACES in unique ways.
RETRO-LICIOUS
Mid-century is not just making an interior design comeback: food is following right behind. So put on your vintage 1950s LUCIENNE DAY-PRINT APRON - or '70s HALSTON JUMPSUIT if you're feeling a little funkier - and get inspired by ABIGAIL DONNELLY's reimagining of classic dishes. Think moulded jellies, finger foods and soft-serve ice cream.
FERMENTATION
When you hear about FERMENTED FOODS, your mind probably goes to pickles and beer. But thanks to a growing interest in Asian staples such as kimchi and miso, we're becoming more used to these flavour profiles, and even seeing them in fine-dining restaurants. We asked ABIGAIL DONNELLY to share her favourite recipes for fermented flavour bombs that you can replicate in your OWN KITCHEN.
THE CERAMICIST
IN AN ART DECO BLOCK IN THE HEART OF CAPE TOWN'S CITY CENTRE, RENOWNED CERAMICIST MERVYN GERS HAS RENOVATED AN APARTMENT TO REFLECT HIS OWN TASTES AND HIS LOVE FOR FIRED AND GLAZED CLAY.
SEAMLESS
SITUATED ON A PRIVATE GAME FARM NEAR RUSTENBURG, THIS BUSHVELD GETAWAY HAS ARISEN FROM THE ASHES OF ITS PREDECESSOR TO PROVIDE ITS JOBURG-BASED OWNERS WITH A TRANQUIL WEEKEND ESCAPE.
BUILDING AN ICON
Kevin Fellingham, principal architect at Kevin Fellingham Architects, and a former lecturer at Cambridge University, UCT and the School of Explorative Architecture, talks about HOUSE HANSON and DENSTONE COURT, built in 1937/38.
THE VANGUARD KELLY WEARSTLER
In this instalment of our series on the new wave of INTERNATIONAL DESIGNERS, we look at the super-talented Kelly Wearstler's DISTINCT STYLE and seemingly INFINITE CREATIVITY.
COOL COLLAB OF THE YEAR
In a partnership that highlights the strength and diversity of local talent, this collaboration by LULASCLAN and POPSTRUKT had an unplanned helping hand from VISI.
