The moment you look at a Jon Ching painting, a feeling akin to magic overcomes you. And not just because of the wonders of nature he depicts, but the ways in which he uses his imagination to combine them-tropical birds with feathers of honeycomb and crests of vibrant blooms, jellyfish whose tendrils transform into hydrangeas, or a seahorse sprouting branches of newly budding leaves. In Ching's work, feathers become flower petals, tail fins become flames and fur becomes fungi.
Ching grew up on the island of O'ahu, Hawaii. Like most kids, he didn't fully grasp the innate beauty of his home growing up. Only after a perspective shift, moving to California for college, did he start to realize how special Hawaii was-and by extension, his love of the wider world of nature grew exponentially. "Leaving and learning more about Hawaii's nature as an adult helps me see things with fresh eyes. It makes me want to go back and explore, especially the outer islands where there's more preserved land. As kids, we don't have context," he reflects.
"When I first started diving into nature, it was totally new to me. Once I opened the door, I realized there were endless things to learn....I did my best to understand and teach myself biology as much as I could," says the artist. "These days, because I'm morphing [my subjects] a lot of the time, I'm not worried about getting all of the specific traits correct... But when I do endangered species, I really try to stay true to their biology. I look at their natural habitats, their diets, where they fit into their ecosystems."
Denne historien er fra May 2023-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra May 2023-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.