Horses have always been a part of the life of New York Citywork horses, show horses, carriage horses and the over 50 horses in the New York City Police Department Mounted Unit.
Thomas Worth (1834-1917) was a prolific illustrator and avid sportsman who also loved horse racing. He often sketched races that he attended with James Merritt Ives of the prolific printmaking firm Currier & Ives. He was a native New Yorker, born in Greenwich Village. When he was about 18, he showed a drawing to Nathaniel Currier of the same firm, who bought it for five dollars and later published it.
One of Worth's Currier & Ives prints is Fashionable "Turn-Outs" in Central Park, 1869, a humorous look at wealthy New Yorkers showing off their finery, horses and carriages on an outing in the park. The sleek beauty of the horses and the details of the many styles of carriages are complemented by the variety of people, humorous caricatures from the bored to the pretentious.
The romance of the 19th-century Gilded Age is recreated in a way by the continuing tradition of taking carriage rides in Central Park. Carriage rides such as those shown in Worth's print, began as soon as the park opened in 1858. In 1863, rides were offered to tourists for 25 cents per passenger. Since few if any New Yorkers have stables and carriages, the rides are available for the special occasions of city folk and visitors to the city. They cost from about $60 for a 15-minute ride to about $160 for a VIP tour "with photo stop."
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Denne historien er fra May 2023-utgaven av American Art Collector.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
