Gluck and his wife, Kathryn Stone, also a fine artist who took up tattooing with her husband, now own their own shop on Vancouver Island in British Columbia, with views of the ocean.
"Now we kind of get to have our cake and eat it too," he says. "We get to make the best paintings we want to make and we don't have the pressure we used to in the past when we didn't have a secondary income."
Today they have two young children, live on a property with a pond, and are a stone's throw from a lake and the ocean.
"I've really got it made," he says. "I have gotten everything I want out of life. I love where I live and am making the art I want to make. At this point, I'm just running out the clock."
The bulk of Gluck's tattoos are dark skeletons, ghouls, beasts and other frightening beings. But talking to Gluck, you quickly realize his tattoo art does not at all reflect his personality. "I'm goofy and happy and loud and annoying," he laughs. He finds satisfaction in the tattoo work because he can take on subject matter that wouldn't be well-received in the fine art market.
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Denne historien er fra September 2023-utgaven av American Art Collector.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Guardians of the Temple – Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.
