T. Venkanna’s studio is a microcosm of the artist’s mind. There is a wooden table in the right corner for making watercolours, drawings and small-scale works. A pile of brushes in a variety of sizes lies on an adjacent table. A few feet away there is a tall table with longer, wider, bushier brushes and a heap of paint tubes. Taped to the walls are small drawings, prints and some doodles made directly on the walls. Elsewhere, there are rolls of artwork and a printmaking machine. Outside this enclosed space, in the exhibition area, a dozen artisans from Lucknow’s Kalhath Institute are focused, needle in hand, on detailed, embroidered artworks. There is a conspicuous vibe of feverish activity.
This space in Mumbai’s Gallery Maskara has been Venkanna’s temporary studio since 2022. Previously, he has worked out of Baroda, where he completed a Master’s in Printmaking in 2006 at the Faculty of Fine Arts, M. S. University.
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Denne historien er fra April 2023-utgaven av Art India.
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Parts, Wholes And The Spaces In Between
Sonal Sundararajan introduces Samira Rathod's free-spirited and rebellious explorations in the world of architecture, furniture and design.
"The Fine Art of Going to the Pictures."
Dr. Banerjee in Dr. Kulkarni's Nursing Home at Chemould Prescott Road brings together 26 paintings featuring a series of dramatic scenes from Hindi and Bengali films. In conversation with Abhay Sardesai, artist Atul Dodiya talks about childhood trips to movie halls, painted figures gripped by tension, and the closeness and remoteness of cinematic images.
"To Finally Have Something of Your Own to Mine."
Dayanita Singh is the recipient of the coveted 2022 Hasselblad Award. Keeping the photograph at the centre, she speaks to Shreevatsa Nevatia about books, book objects, photo novels, exhibitions and museums.
OF DIVINE LOSS
Shaurya Kumar explores the relationship between the subject and object of devotion, finds Aranya.
THE PAST AND ITS SHADOWS
Neha Mitra visits two shows and three artists in Mumbai.
FORCE OF NATURE
Alwar Balasubramaniam dwells on absences and ephemeralities in his new work, states Meera Menezes.
SHAPES OF WATER
Devika Sundar's works delineate the murky, malleable boundaries between the human body and the organic world, says Joshua Muyiwa.
INTIMATIONS OF INTIMACY
Sunil Gupta shares his journey with Gautami Reddy.
THE FRACTURED PROSPECT
Nocturnal landscapes as ruins in the making? Adwait Singh looks at Biraaj Dodiya's scenes of loss.
TEETERING BEYOND OUR GRASP
Meera Menezes traces Mahesh Baliga's journey from Moodabidri to London.
