Tell It Slant
Frieze|Issue 243 - June - August 2024
Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions
Giovanna Silva
Tell It Slant

FOR ME, photographing architecture provides an opportunity to speak about the history of a country, or to tell the story of a specific place and moment in time. I originally studied to become an architect in Milan because I wanted my work to take me around the world. But I soon realized that, aside from the likes of Renzo Piano, very few architects get to travel globally making buildings. So, instead, I started to shoot buildings, eventually contributing to magazines like Domus and Abitare. Later, I decided that I wanted to work in a more creative way, so I began producing books that combined architecture with travel; I also started my own publishing house, Humboldt, that focuses on books related to travel or collaborations between writers and photographers.

Denne historien er fra Issue 243 - June - August 2024-utgaven av Frieze.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra Issue 243 - June - August 2024-utgaven av Frieze.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA FRIEZESe alt
I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Frieze

I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'

Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration

time-read
8 mins  |
Issue 243 - June - August 2024
Tell It Slant
Frieze

Tell It Slant

Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions

time-read
2 mins  |
Issue 243 - June - August 2024
Dean Sameshima
Frieze

Dean Sameshima

What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.

time-read
2 mins  |
Issue 243 - June - August 2024
Nicole Wermers
Frieze

Nicole Wermers

Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.

time-read
2 mins  |
Issue 243 - June - August 2024
Greater Toronto Art 2024
Frieze

Greater Toronto Art 2024

Museum of Contemporary Art, Toronto, Canada

time-read
2 mins  |
Issue 243 - June - August 2024
Echoes of the Brother Countries
Frieze

Echoes of the Brother Countries

In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.

time-read
2 mins  |
Issue 243 - June - August 2024
Pierre Huyghe
Frieze

Pierre Huyghe

A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).

time-read
4 mins  |
Issue 243 - June - August 2024
Inward Yearnings
Frieze

Inward Yearnings

Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work

time-read
8 mins  |
Issue 243 - June - August 2024
The Promise of the Past
Frieze

The Promise of the Past

Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives

time-read
5 mins  |
Issue 243 - June - August 2024
Where Is Everyone?
Frieze

Where Is Everyone?

Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture

time-read
3 mins  |
Issue 243 - June - August 2024