No matter how traditional we want our art to be, we have to come to terms with using computers and the internet to get our work seen and sold.
What's the best way to allocate our time and resources? How can we be as effective as possible at promoting our work and building a following? And how do we make a living at it? I'll be delving into some of these questions below, as well as providing a short painting demonstration that illustrates the type of material I create for my own online content.
An artist friend in Greenport, Long Island, stops by to see how I'm coming on the sketch of the van. As the drizzle turns into a light rain, my diffuser (just above my hat) serves as an umbrella over my easel.
SHIFTING GOALPOSTS
Let's start by looking at the state of social media. The last two decades have witnessed the invention and evolution of social media. They have received a lot of criticism, but they are still the most popular way to spend time online. Over the years, the goalposts have changed. The original idea was to share your life and thoughts with a finite network of known friends and family. Nowadays it's much more about building follower counts by creating more entertaining content.
SHORT FORM OR LONG FORM?
Along with that change of network orientation has been an evolution in content. Today there's less emphasis on words and pictures alone, and more focus on short-form video. These changes were already happening at Facebook, Instagram and Twitter/X before Tik Tok came along, but the dramatic success of Tik Tok led all the others to emphasize attention-getting video content. YouTube created Shorts, and they've been successful with it.
But it's not just a story of attention spans getting shorter. Long-form podcasts and real-time videos get a lot of views, too, especially in the art field. So you can do well going short or long.
FEEDING THE ALGORITHM
Denne historien er fra June/July 2024-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra June/July 2024-utgaven av International Artist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Fresh Eyes
Anna Rose Bain discusses the passions of being an artist and helping students transform their own work
The Next Level
Jacob Dhein uses a wet-into-wet technique to create painterly depictions of a variety of subjects
Wild Spirit
Alternating between broad glazes and fine details, Claire Milligan captures the intricacies of the animal kingdom
The Bridge Between
Watercolorist Thomas Wells Schaller delves into the nuances of observation and imagination
The Color Continuum
Catherine Hearding demonstrates how she utilizes color to enhance the mood of her landscapes
Points of Precision
A strong focal point and attention to detail make Nicola Jane's artwork jump off the page
BE YOURSELF
Harley Brown's fascinating things no one else will tell you
JEFFREY T. LARSON
Expertly Putting the Pieces Together
Hot-Blooded
Blending elements of realism and surrealism, figurative artist Anna Wypych’'s paintings are dominated by vivid reds
Adam Clague Incandescence
Adam Clague’s masterful understanding of contrast allows him to paint subjects that seem to glow from within